L'Heptade is the third and final album from Harmonium. It was released as a double-LP in 1976 and is considered by some critics to be one of the most important Québécois albums in popular music.


 [hide*1 Album description

Album description[edit]Edit

L'Heptade is composed of seven core songs, in order: Comme un fou (Like a mad man), Chanson noire (Black song), Le premier ciel (The first heaven), L'exil (The exile), Le corridor (The hallway), Lumières de vie (Lights of life), and Comme un sage (Like a wise man). These seven songs were mainly written by the band leader Serge Fiori. The title, heptade, is the compound of two Greek affixes, hept- (seven) and -ade, which expresses both the notion of group (décade,pléiade) and epic movement (as in Iliad). Fiori mentioned, at the beginning of the live album of L'Heptade, that the album, framed in seven songs, was evoking the journey of a man in one day through seven levels of consciousness. Clues that the whole journey occurs in a single day are given on the original album. For example, a rapid sigh of a man waking up, followed by steps on a cracked wooden floor can be heard in the prologue, the first musical movement preceding the first core song. A man preparing to sleep can be heard in the finale of the album.

All seven core songs include at least two, sometimes up to six, different melodies, often with lengthy solos. Serge Locat offers among the finest ever performance on synthetizers, most notably at the end of "Le premier ciel", and on piano in "Lumières de vie". The voice of Serge Fiori, thanks to his falsetto (head voice), sometimes broken by emotion, and tainted by his peculiar accent, succeeds to create an emotional intimacy. His singing is often counterbalanced by a chorus formed by some of the finest Quebec singers of the time, including among othersBeau Dommage's Pierre Bertrand, Les Séguin's Richard, and Ville Emard Blues Band Estelle Ste-Croix. The signature of Harmonium, that is, the rich sound of the 12-string guitar, still remains the backbone of a few songs, particularly in "Comme un fou" and at the end of "Le corridor". But L'Heptade offers a much more sophisticated music than in the past. Lush arrangements, innovative use of piano, electric piano, and synthesizers, and the sophistication of the melodies are some elements that set this album as a full-fledged progressive rock.

The other musical titles listed on the album represent musical interludes of classical, minimalist signature. These interludes are the result of the collaboration between Fiori and classical music composer and teacher Neil Chotem, and are played either by a single synthetizer or with the Orchestre symphonique de Montreal.

The lyrics of the album have a strong metaphysical underpinning, but the main topic of the whole album is clearly the personal, inner conflict of the main character. A major theme, recurring in all songs of the album, is the antithesis of the world: the Black and White, the Light and Darkness, the Day and Night. The struggle to unite these antitheses appear to be, in the first disc of the double-album, a metaphor of, or perhaps the source of, the internal conflict of the main character. The second disc, in turn, appears to suggest that these antitheses can be overcome through love, but that true appreciation of love appears to be possible only with an uplifting mind. In the original cover of the album, the only printed lyrics were a section of "Lumières de vie", where the character begs to be spoken of love in order to overcome both nights and days (...Lumières de vie... parle-moi d'amour, assez pour éclipser les deux [la nuit, le jour] pour toujours).


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The album was (and still is) one of the most popular double albums in the history of Quebec popular music, selling over 100,000 copies after a few months. Nevertheless, at the time, it had less impact in Quebec than the two previous albums, because of the not-radio-friendly lengthy songs and the sophisticated melodies. Critics largely offered a warm reception to the album, particularly in the world of progressive rock, where it was praised well outside the borders of Quebec. Harmonium was invited to tour with Supertramp in Europe, where they contributed, with Supertramp, to the spread of the ondes Martenot into popular music.

Harmonium was later invited to perform as the headliner in Vancouver, where a live recording of the album was later edited and published on CD, and in Los Angeles, where the performance was recorded by a team from the National Film Board of Canada.

This album is now regarded as one of the masterpieces of the Quebec musical scene, and has sold over 200,000 copies since its release.


  • At $90,000, the production of L'Heptade was, at the time, the most expensive ever in the Quebec music industry. While a large part of this amount was provided by a new contract signed with CBS, the musicians still had to contribute to the financing of the production.[1]
  • L'Heptade was recorded in a country house belonging to the Fiori family, in Saint-Césaire. By listening carefully, cracking of the floor can sometimes be heard.
  • The original matrix of this album was damaged by a water flood in the offices of CBS. As a consequence, the CD version was recorded from a vinyl record.
  • Monique Fauteux is the interpreter of "Le Corridor".
  • Michel Normandeau, the co-leader of the band, left the band at the beginning of the recording of L'Heptade. He thus appears only as contributing to the guitar playing of the first song, as well to the lyrics in many songs of the album. He never specified the reasons for his departure, even recently on a fan forum, stating only that the departure was due to normal and expected differences between two persons.
  • On June 23, 2008 as part of St. Jean Baptiste Day celebrations, Gregory Charles, the Laval Symphony Orchestra, the World Choir, and several singers performed a re-orchestrated version of L'Heptadein Laval, Quebec. Charles had collaborated with Neil Chotem prior to the latter's passing.

Track listing[edit]Edit

All interludes by Neil Chotem. All music and lead vocals on the remaining tracks by Serge Fiori except where noted. All lyrics by Serge Fiori and Michel Normandeau except where noted.

Side one[edit]Edit

  1. "Prologue" (interlude) – 4:20
  2. "Comme un fou" (music: Serge Fiori, Michel Normandeau) – 7:50
  3. "Sommeil sans rêves" (interlude) – 1:25
  4. "Chanson noire" – 8:12
    • "A. Le Bien, le Mal" (lyrics: Serge Fiori) - 3:39
    • "B. Pour une blanche cérémonie" (music: Serge Fiori, Serge Locat) - 4:32

Side two[edit]Edit

  1. "Le Premier Ciel" – 11:19
    • "L'Appel" (Interlude) - 0:10
    • "Le Premier Ciel" - 11:09
  2. "L'Exil" – 12:56
    • "Sur une corde raide" (Interlude) - 0:17
    • "L'Exil" (lyrics: Serge Fiori) - 12:39

Side three[edit]Edit

  1. "Le Corridor" - 8:10
    • "Le Corridor" (lead vocals: Monique Fauteux) - 6:33
    • "Les Premières Lumières" (Interlude) - 1:37
  2. "Lumières de vie" – 14:12
    • "A. Lumières de nuit" - 6:59
    • "B. Éclipse" (instrumental) (music: Neil Chotem) - 1:27
    • "C. Lumière de jour" (instrumental) (music: Serge Locat) - 3:09
    • "D. Lumière de vie" (instrumental) (music: Serge Fiori, Serge Locat, Louis Valois) - 2:38

Side four[edit]Edit

  1. "Comme un sage" – 14:04
    • "Prélude d'amour" (Interlude) - 0:41
    • "Comme un sage" (lyrics: Serge Fiori) (lead vocals: Serge Fiori and Estelle Ste-Croix) - 13:23
  2. "Épilogue" (interlude) – 2:50
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