The Records were an English power pop band in the late 1970s. Allmusic notes that they are often referred to as the "British Big Star".[1] They are best remembered for the hit single and cult favourite "Starry Eyes".

History[edit source | editbeta]Edit

The Records formed out of the ashes of The Kursaal Flyers, a pub rock group featuring drummer Will Birch. In 1977, John Wicks joined The Kursaals as a rhythm guitarist. Birch and Wicks quickly started writing songs together, Wicks as composer, Birch as lyricist. The Flyers dissolved just three months after Wicks joined, but he and Birch continued to write songs together with the hopes of starting a new four-piece group with Birch on drums and Wicks on lead vocals and rhythm guitar. Birch soon came up with a name for the formative band: The Records. The group's lineup initially included lead guitarist Brian Alterman, whose guitar riffs have been compared to that of The Byrds. Alterman played on two early demos that were later included on the album Paying for the Summer of Love, before joining another band. Alterman was replaced by Huw Gower in 1978, crystallizing the new lineup with Gower (lead guitar) and Phil Brown (bass) now on board. Like Birch and Wicks, Gower and Brown were music veterans. Gower had played with a band called The Ratbites from Hell, which also featured future Only Ones guitarist John Perry, and Brown had been the bass player for The Janets.

The new group was heavily influenced both by British Invasion bands like The Beatles and The Kinks and early power pop groups such as BadfingerBig Star, and Raspberries. Power pop was experiencing a renaissance on both sides of the Atlantic, thanks in large part to the burgeoning punk/New Wave movement.

They were hired to back Stiff Records starlet Rachel Sweet on the "Be Stiff Tour '78". The Records opened the shows with a set of their own. Birch and Wicks also wrote a song for Sweet's debut album entitled "Pin a Medal on Mary". The songwriting duo also penned "Hearts in Her Eyes" for The Searchers, who made an unexpected comeback with their power pop-oriented album The Searchers in 1979.

Based on demos, later released as Paying for the Summer of Love, the band was signed to Virgin Records in 1978. Their debut single, "Starry Eyes", was released in the UK that December and has since become their best-known song and an oft-covered power pop standard. Allmusic called it "a near-perfect song that defined British power pop in the '70s".[2] Unsurprisingly, due in part to their traditional American power pop influences (Big Star, Raspberries), the song was a bigger hit in the US than in the UK; it peaked at No. 56 on the Billboard Hot 100 in October 1979.

The group went into the studio with producers Robert John "Mutt" LangeTim Friese-Greene; Huw Gower produced 'The Phone', which was added to the album in preference to one of Mutt's efforts, the single Tim Moore song "Rock 'n' Roll Love Letter", dominated by Lange's vocals. The debut LP Shades in Bed yielded another single, "Teenarama", their second-best known song. The album was released in the US in July 1979 as The Records with different sequencing and the single version of "Starry Eyes" replacing the re-recorded album version that appeared on the UK edition. The album was a minor American hit, peaking at No. 41. Gower also produced the bonus 4 track disc of cover tunes included in the album release, which also received FM airplay, notably the version of Spirit's '1984'.

That was the pinnacle of their success. Returning to the UK, Will Birch engaged the services of producer Craig Leon to record 2 new songs and to remix 2 tracks from 'Shades in Bed' for a possible single release. Huw Gower acted as co-producer. After an aborted German tour with Robert Palmer, Gower called in to question the amateurish incompetence of both the bands' manager and primary lead vocalist. He left the band shortly after, Gower subsequently re-locating to New York. Jude Cole, a 19-year old American, who had been in Moon Martin's backing group The Ravens, joined for the album Crashes (1980). The album was not a hit, and did not yield any successful singles, and record company support for the band dried up during the Crashes tour. Cole stayed in the US, while the core of Birch, Wicks and Brown returned home to England.

The trio expanded into a quintet with guitarist Dave Whelan and lead singer Chris Gent. Previously, most of the songs had been sung by Wicks, but with other members frequently taking lead vocals for individual songs. Birch has since declared that the decision to recruit a lead singer was made "perhaps unwisely."[3] This line-up recorded a third album for Virgin, 1982's Music on Both Sides. Like its predecessor, the album was not a hit.

After this, the band effectively broke up. Birch turned to tour managing, running 'Rock Tours', a sightseeing London Bus venture, producing and writing. In 1991 the original band briefly reformed to contribute a track for the 1991 Brian Wilson tribute album, Smiles, Vibes and Harmonies. Birch, Brown & Wicks cut the basic track for "Darlin' " in London; Gower added his parts and mixed it in NY. The same year also saw the US release of 'Paying For The Summer Of Love'. Both recordings received great press, but were not enough to outweigh unresolved past issues within the core membership, which effectively killed any possibility of restarting the group.

Discography[edit source | editbeta]Edit

Albums[edit source | editbeta]Edit

  • 1979: Shades in Bed (UK)
  • 1979: The Records (US)
  • 1980: Crashes
  • 1982: Music on Both Sides
  • 1988: Smashes, Crashes and Near Misses
  • 2001: Paying for the Summer of Love
  • 2009: Play Live: The Records Live in Concert

Singles[edit source | editbeta]Edit

  • 1978: "Starry Eyes" (UK)
  • 1979: "Rock 'n' Roll Love Letter" (UK)
  • 1979: "Starry Eyes" (US)
  • 1979: "Teenarama"
  • 1980: "Hearts in Her Eyes"
  • 1982: "Imitation Jewellery"
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